Kameelah Janan Rasheed, Critic in Sculpture
Webpage: https://kameelahr.com
A learner, Kameelah Janan Rasheed explores communication practices and poetics across all species, states of living, states of consciousness, and substrates. She creates sprawling, “architecturally-scaled” installations; public installations; publications; prints; performances; performance scores; poems; video; and other forms yet to be determined. Most recently, she was awarded a 2024 High Desert Test Sites Fellowship at Joshua Tree; 2023 Working Artist Fellowship; a 2022 Schering Stiftung Award for Artistic Research; a 2022 Creative Capital Award; a 2022 Artists + Machine Intelligence Grants - Experiments with Google; and a 2021 Guggenheim Fellowship in Fine Arts. Her recent solo exhibitions include REDCAT (2024), KW Institute of Contemporary Art (2023), Art Institute of Chicago (2023), and Kunstverein Hannover (2022). Rasheed is the author of seven artists’ books: rub, lick, drink, eat (REDCAT and Rasheed’s publishing project, Scratch Disks Full, 2024); all velvet sentences as manifesto, Like a lesson against smooth language or an invitation to be feral hypertext (Emerson College and Rasheed’s publishing project, Scratch Disks Full, 2024); in the coherence, we weep (KW Institute, 2023); i am not done yet (Mousse Publishing, 2022); An Alphabetical Accumulation of Approximate Observations (Endless Editions, 2019); No New Theories (Printed Matter, 2019); and the digital publication Scoring the Stacks (Brooklyn Public Library, 2021). She is on faculty at the Yale School of Art, MFA Sculpture Department, and an instructor at the School for Poetic Computation. Rasheed founded Orange Tangent Study, a consulting business that provides artist microgrants and supports individuals and institutions in designing expansive and liberatory learning experiences.
Editor details
Last edited by: Lindsey Mancini
Edit access: Staff, Faculty