Graphic Design ART 743, Letterform Design
Type design is distinct from “lettering” in that it necessarily calls for a systematic approach, not just a concern for individual forms. The course focuses on a clear, systematic procedure to building the design of a typeface, as well as the aesthetic issues presented by single letters. The class is taught with RoboFont, a type-design program for the Macintosh® that allows designers to digitize letterforms on screen and turn them into usable fonts. Students learn the software, together with the principles of designing and spacing type. Fully fledged type designers are not made in one term; the object is to “demystify” the subject and teach users of type an increased appreciation of it. Students work on individual projects, chosen in consultation with the instructors. Individual projects should be carefully chosen, so that the availability of the student’s new font makes a real contribution and serves a clear purpose. With the problems of type design so deeply interconnected, a clearly defined project is necessary to establish solid criteria for subsequent work. The nature of the project determines the route each student takes in researching the design. If appropriate to the project, students spend time rendering letterforms by hand, investigating historical sources, or starting immediately on screen.Editor details
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References and Further Reading
It’s best if extensions are managed via Mechanic, but can also be installed individually via the below resource, however Mechanic will alert you to updates.
Some of the most useful extensions are word-o-mat, shape tool, scaling edit, and measure handles.
RoboFont Extensions List w/ Visual Reference
Font Parts is the Python library for writing scripts that manipulate UFOs.
Good books on designing type include Walter Tracy’s “Letters of Credit”, Karen Cheng’s “Designing Type”, and Cyrus Highsmith’s “Inside Paragraphs” which is a bit off-topic but a great introduction to typography generally.
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Last edited by: Luiza Dale
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